Stone sculpture: an angel blowing a horn near figures emerging from their tombs. Front view.

Resurrection of the Dead from Notre-Dame de Paris, Cl. 18643 © GrandPalaisRmn / Michel Urtado

Stone sculpture: an angel blowing a horn near two figures emerging from their tomb.

Resurrection of the Dead from Notre-Dame de Paris, Cl. 18643 (detail) © GrandPalaisRmn / Michel Urtado

Detail of a stone sculpture: a man emerging from his tomb. Front view.

Resurrection of the Dead from Notre-Dame de Paris, Cl. 18643 (detail) © GrandPalaisRmn / Michel Urtado

Detail of a fragmentary stone sculpture: man in bust form. Front view.

Resurrection of the Dead from Notre-Dame de Paris, Cl. 18643 (detail) © GrandPalaisRmn / Michel Urtado

Detail of a stone sculpture: a man emerging from his tomb. Front view.

Resurrection of the Dead from Notre-Dame de Paris, Cl. 18643 (detail) © GrandPalaisRmn / Michel Urtado

Detail of a stone sculpture: angel blowing a horn. Front view.

Resurrection of the Dead from Notre-Dame de Paris, Cl. 18643 (detail) © GrandPalaisRmn / Michel Urtado

Stone sculpture with traces of polychromy: angel holding a horn near figures. Front view.

Resurrection of the Dead from Notre-Dame de Paris, Cl. 18643 (detail) © GrandPalaisRmn / Michel Urtado

Resurrection of the Dead

Lintel fragments from Notre-Dame de Paris

Description

On display - Salle 5

13th century

High Middle Ages

These stone fragments belong to the two lintels that supported the tympanum of the central portal of Notre-Dame de Paris. The theme is the Last Judgment, with the Resurrection of the Dead depicted in the lower register and the Weighing of Souls in the upper register.

The museum preserves both ends of the Resurrection lintel, featuring angels blowing their trumpets and the dead rising from their sarcophagi. Their styles are quite different. The right-hand end appears more modern, with a more fluid style and drapes filled with beak-like folds, while the other fragment still reflects a more rigid and hieratic art.

This may be an example of collaboration on the same work by two artists from different generations. The last two fragments belong to the upper lintel and depict two damned souls and one chosen soul.

From one artwork to another

Sculpted and fragmented head depicting a man with curly beard wearing a hat. Front-facing stone sculpture.

Head of the king of Judah No. 6, Notre-Dame de Paris, Cl. 22988 © GrandPalaisRmn / René-Gabriel Ojeda

Heads of the kings of Judah

First half of the 13th century

Stone capital decorated with acanthus leaves. Front photograph.

Acanthus-decorated capital from the Abbey of Saint-Denis, Cl. 12119 © GrandPalaisRmn / Michel Urtado

Capitals from Saint-Denis

1140-1145

Stone sculpture of a standing angel with a round face and draped clothing. Front view on a neutral background.

Angel holding the instruments of the Passion, Cl. 18762 © GrandPalaisRmn / René-Gabriel Ojeda

Angels of Poissy

Late 13th century - early 14th century

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